Exhibitions
HABITAT
Cup[ola Contemporary, Sheffield
50MV PRES. SOCIALLY DISTANT
Wellington Yard, Liverpool
THERESA POULTON: CONCEPT OR OUTCOME, THREADS (Guest Artist)
Dead Dog Gallery, Durham
NORTHERN EXPRESSIONS
Woodend Gallery, Scarborough
OWTSIDE
Community House, Peterlee
FERENS OPEN EXHIBITION
Ferens Art Gallery, Hull – June 2024
EMERGING ARTISTS EXHIBITION
Skipton Town Hall, Skipton
ANOTHER BADGER IN THE WALL
Badger in the wall gallery, North Yorkshire
LOOK IF YOU WANT
The Peckham Pelican, London
MUNICIPAL
50 MZ, Liverpool
LOST LOVE
Fronteer Gallery, Sheffield
THE GRAND OLD OPEN
Redcar Palace, Redcar
PUNCHCARD
Middlesbrough Art Week, The Auxiliary, Middlesbrough
Curation & Production
RON LAPWORTH – FULL CIRCLE
Peterlee
Awards & Fellowships
THE NORTH EAST EMERGING ARTIST AWARD (Shortlisted)
Seaton Delaval Hall, Northumberland
NORTHERN EXPRESSIONS (Artist Development Programme)
Scarborough Museums & Galleries
Publications
TIMES VII
Shelter, 87 Gallery/Art Link Hull
Art Fairs
STOCKTON ART FAIR
Stockton Art Festival, Stockton-on-Tees
Statement
David Kenney paints, makes sculpture and writes.
David uses hard-edge painting, primarily with acrylics, to explore shadow and light in architectural forms. His paintings consist of many layers, adding and removing paint using a variety of methods and tools to achieve realistic textures.
His sculptural work explores similar themes to his paintings, with recurring motifs of basic architectural forms included throughout. David uses cast and mould to create precise, geometric forms in Jesmonite, using acid to remove surface layers to produce a concrete-like texture; often using coal, rusted iron and moss to create variation.
In all of his visual work, David pays particular attention to texture, shadow and light to give the pieces a feeling of past use and interaction; surfaces worn by the passing of time and human intervention occupy seemingly timeless landscapes; liminal spaces devoid of human presence.
A constant theme of worldbuilding runs through David’s work, with every piece having a place in a drafted story set in a fictional universe. Each painting or sculpture has a written counterpart; a chapter or scene that contributes to a grander narrative.
The Constant State
I started drawing imagined architecture in 2019; brutalist dwellings based on basic geometric shapes.
I began to think up stories to add context to these buildings. Over time, these fragments of stories became a discernible narrative; a storyline with a beginning, a middle, and an end.
I have been slowly piecing the story together over time. The world I’ve built is called The Constant State, and the story has three parts, or arcs.
My practice now revolves around and lives within this world; this story. As I make a painting or sculpture, I often write a chapter of the story to accompany it, and vice versa. As I develop my style and experiment, the story takes tangents, twists and turns. The world is being built and the story is being written one painting or sculpture at a time.