About

Exhibitions

March 2025

HABITAT
Cup[ola Contemporary, Sheffield

March 2025

50MV PRES. SOCIALLY DISTANT
Wellington Yard, Liverpool

February 2025

THERESA POULTON: CONCEPT OR OUTCOME, THREADS (Guest Artist)
Dead Dog Gallery, Durham

January 2025

NORTHERN EXPRESSIONS
Woodend Gallery, Scarborough

August 2024

OWTSIDE
Community House, Peterlee

June 2024

FERENS OPEN EXHIBITION
Ferens Art Gallery, Hull – June 2024

June 2024

EMERGING ARTISTS EXHIBITION
Skipton Town Hall, Skipton

June 2024

ANOTHER BADGER IN THE WALL
Badger in the wall gallery, North Yorkshire

May 2024

LOOK IF YOU WANT
The Peckham Pelican, London

May 2024

MUNICIPAL
50 MZ, Liverpool

February 2024

LOST LOVE
Fronteer Gallery, Sheffield

November 2023

THE GRAND OLD OPEN
Redcar Palace, Redcar

September 2023

PUNCHCARD
Middlesbrough Art Week, The Auxiliary, Middlesbrough

Curation & Production

July 2024

RON LAPWORTH – FULL CIRCLE
Peterlee

Awards & Fellowships

June 2025

THE NORTH EAST EMERGING ARTIST AWARD (Shortlisted)
Seaton Delaval Hall, Northumberland

January 2024

NORTHERN EXPRESSIONS (Artist Development Programme)
Scarborough Museums & Galleries

Publications

November 2024

TIMES VII
Shelter, 87 Gallery/Art Link Hull

Art Fairs

July 2024

STOCKTON ART FAIR
Stockton Art Festival, Stockton-on-Tees


Statement

David Kenney paints, makes sculpture and writes.

David uses hard-edge painting, primarily with acrylics, to explore shadow and light in architectural forms. His paintings consist of many layers, adding and removing paint using a variety of methods and tools to achieve realistic textures.

His sculptural work explores similar themes to his paintings, with recurring motifs of basic architectural forms included throughout. David uses cast and mould to create precise, geometric forms in Jesmonite, using acid to remove surface layers to produce a concrete-like texture; often using coal, rusted iron and moss to create variation.

In all of his visual work, David pays particular attention to texture, shadow and light to give the pieces a feeling of past use and interaction; surfaces worn by the passing of time and human intervention occupy seemingly timeless landscapes; liminal spaces devoid of human presence.

A constant theme of worldbuilding runs through David’s work, with every piece having a place in a drafted story set in a fictional universe. Each painting or sculpture has a written counterpart; a chapter or scene that contributes to a grander narrative. 


The Constant State

I started drawing imagined architecture in 2019; brutalist dwellings based on basic geometric shapes.

I began to think up stories to add context to these buildings. Over time, these fragments of stories became a discernible narrative; a storyline with a beginning, a middle, and an end.

I have been slowly piecing the story together over time. The world I’ve built is called The Constant State, and the story has three parts, or arcs.

My practice now revolves around and lives within this world; this story. As I make a painting or sculpture, I often write a chapter of the story to accompany it, and vice versa. As I develop my style and experiment, the story takes tangents, twists and turns. The world is being built and the story is being written one painting or sculpture at a time.